Of course, I can't miss this omnipresent album. Trying to understand what's going on in the head of the biggest pop star of the present. And that's exactly what you learn on
The Tortured Poets Department, because Taylor Swift is and has always been above all a confessional songwriter and storyteller who slips into existing shapes like in a dress or jacket. The aesthetics she chooses for her respective albums is always part of the story (this is not different with Bob Dylan - only pants rather than dress). Recently flawlessly implemented in the mood music at the blue hour of
Midnights. It is a bit surprising that she chooses a very similar aesthetic on the successor, which is about separations. But maybe it takes the acoustic cocooning of the cosy sounds (of Aaron Dessner and Jack Antonoff), determined the sound since Swift's coming-of-age album
Folklore to heal the sore soul. The charm of
The Tortured Poets Department is at least initially not necessarily musical in nature, but rather more textual. Should not surprise with an album with this title. Of course, you also listen so spellbound, because you otherwise only know celebrity couple separations remotely from the "Gala" that is out at the hairdresser's, and not first-hand. You look for the sensation and also find something toxic when the most popular woman in the world sings about her not so well-known ex lines like
And I'll forget you, but I'll never forgive / The smallest man who ever lived. But the lyrics that she scatters in the glittering mid-tempo synth pop cocktail like a match letter poison are already masterclass.
(Initially written in German and hopefully the translation isn't too bad)
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