Unfortunately, the perception of individual listeners (even if they feel like they represent a majority, which is never the case) is nothing any developer in their right mind could make any sense of.
So you just dismissed an entire industry? I mean, per your assertion, we might as well buy the cheapest stuff around.
Here's a "developer in his right mind" talking about such things... notice how he ties listening with hardware design and measurements. I mean, this guy listens and designs and measures, rinse and repeat.
Audiophiles seem to revel in minor controversies – vinyl vs CD’s, tubes versus solid state, capacitor, wires, magic dots… and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a … Continue reading →
www.passlabs.com
And this discussion is going away from "features wanted".
The man wrote down what he wants... don't just dismiss it. Tell us instead what YOU want.
Honestly, the ASR - Julian Hirsch - mentality gets old fast. Trying to ridicule others... why don't you just open up your mind to the fact that there may be more to life than what you believe?
What I want in the Ultra..
(1) An IP bridge with digital inputs/outputs version. Without DAC, equalizer, volume or analog section.
(2) An optional board with DAC and analog output, socketed opamps and SE and balanced outputs. An Alps pot for volume.
(3) A larger touchscreen OLED
(4) A homogenized WiiM Home that works and looks the same in PC, Android and Chromebook.
BTW, have noticed how Tidal Connect will disconnect from the Tidal playing in your PC/Android/Chromebook?
(5) How about a web interface to control the Ultra? I'm not too keen on forcing an application on the user's machine.
@slartibartfast
BTW, right now this Ultra is making some truly awesome music, playing Hot Rize and Red Knuckles and the Trailblazers. I run it using Tidal Connect... outputs to the Nitsch DAC which also serves as preamp.
How does it sound? Well, it's the system... but I removed the preamp ( a CJ ET3SE ) out of the loop and..
- Soundstage is deep. I can hear the difference of how instruments were recorded, front to back, side to side.
- Voices and instruments are separate. I can hear them in their place in the soundstage as separate entities, when one comes in and out, louder of softer, it doesn't affect the others.
- When the volume gets loud, the instruments don't get harsh or hard. This is important for stuff like massed choral music.
- The soundstage is constant, it doesn't shrink or expend, whether the music gets loud or soft.
- The timbre of the instruments is true, they sound like real instruments with proper body, tone and attack
- It sounds like a very good facsimile of live music
When I play the WiiM's own DAC, the soundstage shrinks and I don't get the feel that the players are in front of me.
Notice the write up about that DAC/preamp... of particular importance is the design of the analog output section ( sure the DAC I got in it is very good too..)..
Schiit Collab Happens While traveling around SoCal, Christian met up with Schiit co-founder Jason Stoddard at Schiit's Valencia location. He got the chance to listen to an odd and interesting little amp. The Magni Piety ("Apostolic Edition" at the time) had the look of a Magni amp, but its...
nitschsound.com