AlxTMX
Member
- Joined
- Nov 20, 2023
- Messages
- 7
Hi there!
While I'm very happy with Stereo Room Correction after I has implement an appropriate settings for Frequency, Max Gain and Max Q, the Per Channel Room Correction is a big mistery for me.
In theory the aim should be to lead both channels that could sounds differently to the same target curve. So one should feed the very same test signal to the left and right channel and compensate their deviations appropriately to make them sounds the same.
In real world Room Calibration Algoritm utters the full spectrum 20-20K sweep tone on the Left and then some modulated noise fragment on the Right. As a tresult the correction for Left channel is very same to Stereo correction curve. But in the noise fragment for th Right channel is fery few of low frequencies, it's in mid range and highs at most. So the Right channel correction curve is become huge overcompensated in bass region and depressed in higs.
The multipass Per Channel mode is almost same: the first test fragment for the Left is 20-20K sweep tone is followed by two modulated noise fragments but then there is only three modulated noise fragments for the Right. And the results are the same as in one pass mode due to the Right channel test tones are lack of bass and the coreection curve is ovecompensate this imaginary problem.
All of it is very strange for me. What's the aim of this assimetrical algorithm?
I'm using an external USB soundcard and an electret measuring microfone but that's not the point. One can hear by ears that the test signals are completely different so the results are inappropriate.
While I'm very happy with Stereo Room Correction after I has implement an appropriate settings for Frequency, Max Gain and Max Q, the Per Channel Room Correction is a big mistery for me.
In theory the aim should be to lead both channels that could sounds differently to the same target curve. So one should feed the very same test signal to the left and right channel and compensate their deviations appropriately to make them sounds the same.
In real world Room Calibration Algoritm utters the full spectrum 20-20K sweep tone on the Left and then some modulated noise fragment on the Right. As a tresult the correction for Left channel is very same to Stereo correction curve. But in the noise fragment for th Right channel is fery few of low frequencies, it's in mid range and highs at most. So the Right channel correction curve is become huge overcompensated in bass region and depressed in higs.
The multipass Per Channel mode is almost same: the first test fragment for the Left is 20-20K sweep tone is followed by two modulated noise fragments but then there is only three modulated noise fragments for the Right. And the results are the same as in one pass mode due to the Right channel test tones are lack of bass and the coreection curve is ovecompensate this imaginary problem.
All of it is very strange for me. What's the aim of this assimetrical algorithm?
I'm using an external USB soundcard and an electret measuring microfone but that's not the point. One can hear by ears that the test signals are completely different so the results are inappropriate.
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