entering the discussion a bit late. sorry if i missed something...
@Bill Mac i think what
@manyung1987 was alluding to with the "
the articulation and air feelings" was the "realness" of the sound. just imagine you have a neighbour a couple doors down just blaring a saxophone at full volume, and you happen to hear it - can you not almost always tell if it's somebody playing music on their stereo vs playing a real instrument?? there's a sort of "weight" and presence and clear localisation to the sound of a real instrument that is kind of unmistakable. it's this feeling that has turned into the audiophool meme "my wife heard a clear improvement from the kitchen" imo
we can all easily tell the difference between playing back a recording vs hearing the real instrument live - but it's hard to articulate...
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but if you want objective things you can look for - one reliable one for me is off-axis performance as measured by ear. so just make a change in your system, play a song that you really like, start moving more and more off axis - and just try and notice how the details start to fade. many changes i've made in my system that i kept were improving the "realness" of the sound - especially when you listen off-axis, or yes, from the other room
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for example, the ability to maintain the depth in imaging/stereo separation, even when quite far from the ideal listening spot...
but i'm also curious - if you claim that what we're on about is audiophile nonsense... (no offence taken btw - everyone here will tell you - i own the snake oil badge with pride
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) why did you purchase a relatively expensive denafrips DAC when the ASR type crowd would claim there are DACs half the cost with equal "transparency" or whatever terms they use "differences below the audible threshold" etc. you know what i mean..? do you notice differences in SQ? or did you just purchase it for other features, connectivity, convenience, build quality, looks?