..... new amp for ultra

I have had an Ultra for two weeks now and was also searching for a suitable amplifier. It turns out that here in the Netherlands a company had the idea to make a suitable amplifier for the Ultra and it was introduced last week. I ordered it immediately and expect to receive it at the end of this week.

https://internetofmusic.nl/product/iom-ultra/
I used the EMOTIVA BasX A2 Amp from and it was affordable for a whole house audio system amp for smaller rooms. Has performed flawlessly. Driving Philharmonic Ceramic Speakers! Couldn't be happier!

Jeff
 
Apparently it's not being mentioned on the Amazon page, but it has already been confirmed by Ayima directly.

Strange. One should think that they would mention it on their own products page. I didn't even look at the Amazon offer. Instead they just comment on ASR. Strange.

Also it seems like the product disappeared from Amazon again?

Could you explain PFFB in a nutshell? :)
All switching amplifiers (not just the TI TPA chips) need some sort of analogue output filter (a low pass filter) to get rid of the ultrasonic switching frequency, reconstructing a nice and clean signal. A 1st order LP filter consist of at least one coil. In practice the TPA chips and many others need a 2nd order low pass, which consists of one coil in series and a capacitor in parallel with the load, which usually means between the plus (driven output) and minus (signal ground) output terminals.

However, all but the most basic designs use the TPA chips in Tie-Bridged Load (TBL) configuration: Two amplifier sections are fed with opposite polarity signals, one for the "positive" output and the other one for the "negative" output. The result is higher output voltage (thus more power) but there's no common ground anymore. Both outputs are "floating". As a result you need a fully symmetrical output filter, identical for each output, consisting of at least 2 coils and 2 capacitors.

So this is the filter, the first F in PFFB.

The problem with the output filter is that it degrades the quality of the amplifier output in several ways. In particular the coils add ohmic resistance (where we want the output impedance to be ideally zero!) and non-linearities like hysteresis and saturation at the current limit. Capacitors (especially cheap electrolytic ones) have undesireable properties as well, but the coils are even more critical. Good coils are expensive and even the best ones are rather far from the theoretical ideal. So, real world output filters introduce distortion (changing with frequency and with power) and increase the output resistance (also varying with frequency), the latter resulting in the well known "load dependency" with real world speakers (where the impedance varies with frequency, too).

The engineer's primary weapon fighting non-ideal behaviour of amplifiers is: negative feedback (FB, the last two letters in PFFB). Feedback takes a portion of the output signal and feeds it back to the input in a way that deviations from the input signal are reduced. How much reduction is possible depends on the available open loop gain (with no feedback) of the amplifier itself. The TPA325x chips being specialised audio amplifier chips, not general purpose op-amps, don't have too much gain, but in 2017 TI published a white paper that demonstrated how the non-ideal properties of the amplifier chip including its output filter could be reduced by creating a feedback loop from behind the output filter (Post Filter, PF) to the chip's input. This white paper has been revised in 2018 but it still took a couple of years before the first commercial implementations hit the market.

It's a tradeoff, still. Following the recommendations in the white paper you loose about 6-7 dB of amplifier gain to improve distortion and output resistance by a comparable margin. Either you live with the lowered gain or you need an input buffer stage that makes up for the loss. This amplification stage must be of high quality, of course, so it doesn't reintroduce the amount of noise and distortion that's just been gained on the output side. However, the tradeoff seems to work out quite well. There's no easier way to correct for the deficiencies in output filter coils and capacitances.

Edit:
The nutshell turned out to be a windjammer ... 😅
 
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I've bought the 250W version and it's being assembled.
They have already the Space Grey version to choose besides Silver, but only 250W (there is no option to choose power output rn).
 
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I've just recieved my Space Gray unit.
Feels sturdy, case made from heavier materials than Wiim Ultra. Colour has slightly different shade, size almost the same (Amp about 1mm taller).

Sadly i need to wait some hours until the unit reaches room temp.
 
I have had an Ultra for two weeks now and was also searching for a suitable amplifier. It turns out that here in the Netherlands a company had the idea to make a suitable amplifier for the Ultra and it was introduced last week. I ordered it immediately and expect to receive it at the end of this week.

https://internetofmusic.nl/product/iom-ultra/
Wow..😮also made in the Netherlands.?
Or engineering in the Netherlands and made in China?
No problem but just asking
What are your experiences with this amplifier?
 
IOM is assembled in Netherlands (case milled in shop). The board itself is a standard Hypex NC252MP module - company also from Netherlands with plant in Malaysia.
Thanks for your reply.
Sounds great 😲...theyalso made an amp for the Wiim ultra, excellent.
Looking forward to your experiences.
 
IOM Ultra reached proper temp and humidity.
Works very well, looks just fine.
I see the black part of the IOM Ultra is a black brushed metal finish and not gloss black. That should actually kind of work well with my matte black Teddy Pardo power supply next to it (for the Geshelli Labs JNOG3 on top of it, whose shiny plexiglass front looks decent next to the gloss black WiiM Ultra) when my IOM Ultra comes in, especially since then I am taking out the gloss black faced Topping monoblocs:
IMG_5224.jpeg

-Ed
 
Yes, it's brushed metal.
Also the Space Gray is slightly darker than on wiim, but it's totally different materiał, so i guess it's more than enough.

What is worth the most, that IOM Ultra has very high WAF comparing to other Hypex based power Amps like audiophonics which have the WAF close to 0, and i hear the voice of my wife.
 
Hi,
I bought a IOM Ultra in space grey color last week and it's a huge gap with m'y old AVR Yamaha RX-V683.
Trigger cable that comes with amplifier is little shorter to place amplifier next to WIiM Ultra.
I set Wiim Ultra output to 1 Vrms and sound is impressive after 30. Speakers are MA Bronze 100 (87 dB/W)
With 2 Vrms, volume rises to fast.
 
Hi,
I bought a IOM Ultra in space grey color last week and it's a huge gap with m'y old AVR Yamaha RX-V683.
Trigger cable that comes with amplifier is little shorter to place amplifier next to WIiM Ultra.
I set Wiim Ultra output to 1 Vrms and sound is impressive after 30. Speakers are MA Bronze 100 (87 dB/W)
With 2 Vrms, volume rises to fast.
You could also leave it at 2 Vrms and set maximum volume limit to 75%. That is how I use it with the NC252MP. You remain with a volume scale from 0 to 100. It just becomes 0-100 from 0 to 75% volume.

By the way, I use this cable for connection from RCA to XLR:

https://www.amazon.de/gp/product/B0BVW59PX3/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

It is cheap and well-made.
 
Trigger cable is just enough if wiim is on the left and iom on the right. But too short if you want to have it the other way around. Not a big deal as it's a plain stereo jack.

I have mine setup set to 500mVrms, but 2Vrms or 1Vrms also are doing the trick.
 
You could also leave it at 2 Vrms and set maximum volume limit to 75%. That is how I use it with the NC252MP. You remain with a volume scale from 0 to 100. It just becomes 0-100 from 0 to 75% volume.

By the way, I use this cable for connection from RCA to XLR:

https://www.amazon.de/gp/product/B0BVW59PX3/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

It is cheap and well-made.
I try 2Vrms with volume limit set to 75%. Sound is lower than 1Vrms and limit set to 100% for same volume level (ex vol. Set to 30)

I'll keep 1Vrms and no limit volume
 
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I try 2Vrms with volume limit set to 75%. Sound is lower than 1Vrms and limit set to 100% for same volume level (ex vol. Set to 30)

I'll keep 1Vrms and no limit volume
A voltage limit of 75% would be 15dB lower than 100% (25 x 0.6). That would be equivalent to changing the max output voltage from 2V to 355mV. So a lot lower volume than 1V.
 
Trigger cable is just enough if wiim is on the left and iom on the right. But too short if you want to have it the other way around. Not a big deal as it's a plain stereo jack.

I have mine setup set to 500mVrms, but 2Vrms or 1Vrms also are doing the trick.
You can always just buy a longer trigger cable. If IOM is including a trigger cable, that is the first time I have ever seen a piece of equipment actually come with the trigger cable. I've owned a multitude of pieces of audio equipment with audio triggers in or out and never has a single piece ever come with the trigger cable, I've always had to buy that separately and I have a ton of them as a result. Just any mono 3.5mm cable will work.

-Ed
 
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